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https://w.atwiki.jp/mrfrtech/pages/73.html
Overview The global 5G Chipset Industry share is set to cross USD 9.22 billion, with a 41.2% CAGR during the forecast period of 2020 to 2027. Market Research Future (MRFR) marks growing automation, use of IoT, expansion in data center network, hike in bandwidth, advanced antenna technology, participation from mobile operators, machine to machine communication, and others as the major traction providers. Segmentation The global 5G chipset market, as discussed by MRFR analysts, has been studied on the basis of a segmentation that includes the product, operational frequency, type, and verticals. By type, the market includes radio frequency integrated circuit (RFIC), cellular integrated circuit, application-specific integrated circuit (ASIC), and millimeter-wave integrated circuit. By operational frequency, the market comprises 26–39 GHz, below 6 GHz, and 39 and above GHz. By product, the market encompasses customer premise equipment and network infrastructure equipment. By vertical, the market discusses IT telecommunication, retail, government, automotive transportation, healthcare, industrial, energy utilities, and others. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/7148 Regional Analysis Structural benefit, investment scope, and the presence of major players are expected to put North America and Europe in advantageous positions. Asia Pacific would also gain from the booming electronics industry and growing incorporation of automation and IoT. Competitive Landscape The global market for 5G chipset is set to profit from the strategic moves of companies like Intel Corporation (US), Nokia Oyj (Finland), Qualcomm Inc (US), Xilinx Inc (US), IBM Corporation (US), Samsung Electronics Co Ltd (South Korea), Integrated Device Technology Inc (US), Qorvo Inc (US), Infineon Technologies AG (Germany), Broadcom Inc (US), Anokiwave (US), Analog Devices Inc (US), MACOM Technology Solutions Holdings Inc (US), Huawei Technologies Co., Ltd (China), Telefonaktiebolaget LM Ericsson Class B (Sweden), Cavium Inc (US), KT Corp (South Korea), ZTE Corporation (China), Hewlett Packard Enterprise Co (US), Fujitsu Ltd (Japan), and others. Industry News In September 2020, Samsung inked a deal with Qualcomm to produce the latter’s next-generation 5G mobile chipsets using the latest technology of the 5nm process. The deal has a valuation of around $844 million and will be the first time when Samsung will be producing chips for Qualcomm. The first one of this series will be Snapdragon 875. At present, Samsung produces 8nm devices for Qualcomm. But this deal ensures an advantageous position for Samsung from where it can take forward its TSMC technology. Samsung is also in talks with Intel to produce chips for the latter’s fabrication process. In September 2020, MediaTek declared that its 5G smartphone chip, the Dimensity 1000C, had hit the market in the United States. The Dimensity 1000C is expected to power LG’s newest device, the LG VELVET, on T-Mobile’s nationwide 5G network. It will deliver advanced AI capabilities, better display features, fast connectivity, and enhanced multimedia capabilities that would improve the user experience. The 7nm Dimensity 1000C is known for its super-fast 5G speeds and it helps in expanding the MediaTek’s 5G family of chipsets. The flagship series is also known to deliver full premium 5G experiences for smartphone users. During the CIVID-19 crisis, a lot of industries got hit by the impact of the pandemic, but the telecommunication industry stayed abreast and it found a way out by incorporating latest technologies and creating scope for further integration. It is slated to benefit more from the changing work cultures and business dynamics, which would inspire the expansion of the 5G chipset industry. Get Full Report @ https //www.marketresearchfuture.com/reports/5g-chipset-market-7148 Table of Contents 1 Executive Summary 2 Scope of The Report 2.1 Market Definition 2.2 Scope of The Study 2.2.1 Research Objectives 2.2.2 Assumptions Limitations 2.3 Market Structure Continued… Similar Report B2B Telecommunication Market Information by Solution (Unified Communication and Collaboration), Deployment (Fixed, Mobile), Organization Size (Large, Enterprise), Application (Industrial, Commercial) and regions Trending #MRFR Report** https //ictmrfr.blogspot.com/2022/04/geofencing-market-companies-growth-with.html https //blogfreely.net/pranali004/telecom-expense-management-market-size-impressive-cagr-changing-business-scope https //postheaven.net/pranali004/financial-app-industry-impressive-cagr-changing-business-needs-scope-of https //market-research-future.tribe.so/post/openstack-service-market-research-impressive-cagr-changing-scope-of-current--6263de46791566c10c79891e https //www.scutify.com/articles/2022-04-24-infrastructure-as-a-service-industry-cagr-changing-business-scope-of-current-and-future-industry- About Market Research Future At Market Research Future (MRFR), we enable our customers to unravel the complexity of various industries through our Cooked Research Report (CRR), Half-Cooked Research Reports (HCRR), Raw Research Reports (3R), Continuous-Feed Research (CFR), and Market Research Consulting Services. Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com
https://w.atwiki.jp/tljtrans/pages/104.html
It s the innkeeper. She looks busy. Nothing but ashes left of the fire, now. It was pretty comfy to sleep in. I m a little stiff, but that s only to be expected, I guess. It was very comfy. The back rooms are both empty. Assorted bottles and spices and herbs. They look empty, and after last night s shindig, that s no wonder. Barrels. It s a blue woman. And you know, no big deal. I ve seen it all. A blue woman is just run-of-the-mill, now. She s blue. It s Tun Luiec. Not to sound rude, but I ve had my fill of her for the moment. No, I don t feel like sitting down. Wake up, child. (yawns) Sorry, I guess I fell asleep. Do you intend to walk about in that outfit, child? It is day. It would not be proper. It s all I have. Come. We will find something more suited to a young lady about the city. How do I look? It will have to do, for now. You do not have the most womanly of forms, but I am certain you will fill out in time, with the right diet. You did good work for me today, child, more than was required. Here you are, some coin to help you out. And keep the clothes. You seem to have grown into them already. Yes? Ah, it is you. Excuse me? What time is it? It is morning. We need to clean before we open for breakfast, so I had to wake you. I slept right through the party? It seems so. You did not stir even when everyone was leaving. Oh. Well, I feel pretty good, considering. You look a little pale, but it is nothing a good porridge won t fix. Thanks. Thank you for the clothes, for everything. You will have time aplenty to thank me while you are cleaning plates and cutlery, child. I m sorry? Work? Those clothes do not come free, child, nor does a night spent sleeping before the fire. I am not asking much, only for a helping hand in cleaning. I don t have time to work for you. All right, tell me where to start. You can start carrying in the mugs from the back room, then after that... I will not press the matter, child, but you do disappoint me. Please, keep the clothes as a gesture of my generosity, but expect no more favors. I ve changed my mind about helping you clean up. Thank you, ma am. Good! I was very disappointed in you, child, but I am willing to forgive and forget. Now -- to work! You can start carrying in the mugs from the back room, then after that... You re welcome, child. I m looking for a guest of yours, Tun Luiec? The sailor? She is looking for work today, I am afraid. With most of the ships moored to the docks for Balance knows how long, it is difficult for sailors to find work. Do you know when Tun Luiec is expected back? I could not tell you, child, but from what I know of the ships in harbor, she will not find one that needs a navigator any time soon. Pardon me, ma am? I am sorry, young woman, but I do not wish to speak with anyone presently. Ma am? Please, leave me be. I do not wish to speak with anyone. Pardon me for intruding, ma am, but is your name Tun Luiec? Yes, I am Tun Luiec. I have a delivery for you. Oh, a map of the Northlands. I had almost forgotten I ordered it. Sorry about that. I came by a few days ago, but you weren t here. No. No, I was looking for work. (deep sigh) Thank you kindly, young woman. I will need this map, now, if I am to make it to Corasan by foot. Why are you going to Corasan by foot? I can ill afford the cost of passage on a ship bound for the Bay of Fire, and since I do not have a job, nor the prospect of getting one, I have little choice. Are you from Corasan? No, I am from the Southlands. I have never been to Corasan. Why are you so depressed? Is it that apparent to you? I do beg your pardon. It was not my intent to burden you with my dark mood. It s okay, I don t mind. I d like to help, if I can. (sighs) I do not think you can. Unless you were the captain of a ship, and you could hire me as your navigator... But you are not, and so you can not help me. Then why are you going there? Because I am told that in Corasan, captains allow women to join their crew. Here, in Marcuria, they do not. So I ve been told. But you shouldn t have to go somewhere else to get a job. That just isn t fair. Fair or not, it is custom, and custom is a difficult thing to change. You re a navigator? Yes. And I have a letter to prove it. Do you want me to show it to you? No, I believe you. And you re looking for a job? I have been looking, now, for many moons. But most captains do not want women on their crew, and so I am leaving for Corasan in the morning. I got a job for you, if you want it. A job? As a navigator? Yeah, on a boat called "The White Dragon". We re leaving this afternoon, if you re interested. If you are serious, then yes, I am more than interested. But will the captain allow a woman as his navigator? This one will, trust me. Because if he doesn t, he s not going anywhere. Just pack your stuff and head down to the docks. Talk to captain Horatio Nebevay of "The White Dragon". Tell him I sent you. The name s April Ryan. Thank you, April. I am Tun Luiec. I am most grateful to you. Will you be going with us? Yeah, so I ll see you there. Thank you so much. See you later. Goodbye. See you later.
https://w.atwiki.jp/krsk_org/pages/34.html
――不変の未来なんて、ない。 ＊設定 ＊作品 （リンク先→Privatter）序章＋α ＊キャラクター・アリス＝ステイル ・シルバ＝リラ・ロイ＝レヴィル・ファイズ＝ユール ・アダルバード＝オルコット・セシル＝スタンフォード ・グレン＝スタンフォード ・クレア＝スタンフォード ・セリア＝スタンフォード ・ライズ＝エインズワース ・レイズ＝エインズワース
https://w.atwiki.jp/keroro00innovator/pages/4513.html
1st SING-ALONG☆/IMMORAL WORLD 1st SING-ALONG☆/IMMORAL WORLD アーティスト Trickstar/UNDEAD 発売日 2019年8月28日 レーベル フロンティアワークス CDデイリー最高順位 6位(2019年8月29日) 週間最高順位 7位(2019年9月3日) 月間最高順位 33位(2019年9月) 年間最高順位 257位(2019年) 初動総合売上 7537 累計総合売上 9748 収録内容 曲名 タイアップ 視聴 1 1st SING-ALONG☆ あんさんぶるスターズ! ED 1 IMMORAL WORLD CD/総合ランキング 週 月日 CDシングル 総合シングル 順位 週/月間枚数 累計枚数 順位 週/月間枚数 累計枚数 1 9/3 8 5599 5599 7 7537 7537 2019年8月 21 5599 5599 33 7537 7537 2 9/10 14 1003 6602 1003 8540 3 9/17 405 7007 405 8945 4 9/24 284 7291 284 9229 5 10/1 432 7723 34 432 9661 2019年9月 27 2124 7723 41 2124 9661 6 10/8 228 7951 228 9748 配信ランキング 1st SING-ALONG☆ 週 月日 デジタルシングル 順位 週/月間DL数 累計DL数 1 9/3 1365 1365 2019年8月 1365 1365 IMMORAL WORLD 週 月日 デジタルシングル 総合シングル 順位 週/月間DL数 累計DL数 順位 週/月間枚数 累計枚数 1 9/3 16 2695 2695 1078 1078 2019年8月 44 2695 2695 1078 1078 あんさんぶるスターズ! ED 前作 次作 1st SING-ALONG☆IMMORAL WORLD メイド・イン・トキメキ♪Ra*bits 関連CD Stars Ensemble!
https://w.atwiki.jp/homecoming/pages/47.html
Police Station Wheelerと会話 Alex Deputy Wheeler? ウィーラー？ Wheeler Well, well. Back in the world of the living. やぁやぁ、生者の世界へ戻ってきたぜ Alex How did I get here? 俺はどうやってここへ？ Wheeler I put here. I haven t quite made up my mind about you yet. 俺がぶち込んだんだ。さて、どうしたもんかね。 Alex Wheeler, c mon you know me. Let me out! ウィーラー頼むよ、俺のことは知ってるだろ。出してくれ！ Wheeler You won t be going anywhere until I get some answers. Start talking! 質問に答えるまでは出してはやれないな。さあ、話すんだ！ Alex I don t know. Last thing I remember, I was in a greenhouse, with Mayor Bartlett. 分からない。最後に覚えているのはバートレット市長と一緒に温室にいたことだ Wheeler Sam Bartlett? That lunatic? Where is he? I got a couple questions I d like to ask him about what s been going on around here. サム・バートレットだと？あの狂人か？奴はどこだ？この辺の異変について2、3聞きたいことがある。 （選択肢1） I don t know.（分からない）→（1） He went home.（家に帰った）→（2） He s dead.（死んだ）→（3） （1） Alex I don t know. Last I saw him, he was passed out drunk on the ground. He seemed fine. Can I go now? 分からない。最後に会ったとき、市長は酔いつぶれてたんだ。大丈夫そうだったよ。さあ、出してくれ。 Wheeler Wow, Alex, you re a terrible liar. Now tell me where he is. おいおいアレックス、つくならもっとマシな嘘をつけ。ほら、どこにいるか話すんだ。 →（選択肢2） （2） Alex He said something about going home. Why don t you let me out of here and we ll go find him together. 市長は家に帰るとか何とか言ってたな。なあ出してくれよ。一緒に探しに行こう。 Wheeler How stupid do you think I am, Alex? I wanna talk to him. Where is he?! 俺のことどんだけ馬鹿だと思ってんだ、アレックス？俺は市長と話がしたいんだ。どこにいる！？ （選択肢2） He s dead.（死んだ）→（3） （3） Alex Well, you re not gonna be able to ask him anything. He s dead. 質問するのは無理だ。市長は死んでるからな Wheeler Dead? Shit! You better start telling me what you re up to, Alex. I wanna know right now! 死んだ？くそ！何があったか話せ、今すぐにな！ Alex I m just trying to find my brother, okay? I thought the mayor might know something. His son is missing too. 良いか、俺は弟を探してるだけなんだ。市長なら何か知ってると思ったんだよ。彼の息子も行方不明だし。 Wheeler A lot of people are missing, but that doesn t give you the right to kill a man. 大勢が行方不明だ。だが人を殺して良いことにはならんな。 Alex I didn t kill anybody! 俺は誰も殺してない！ Wheeler Then what happened to Mayor Bartlett?! じゃあ市長に何があったんだ！？ （選択肢3） You won t believe me.（信じてくれないだろ）→（4） It was an accident.（事故だったんだ）→（5） A monster killed him.（怪物に殺された）→（6） （4） Alex I can t tell you what happened. You ll never believe me! Shit, I don t even believe me. 言えない。信じちゃくれないだろうしな！クソッ、自分でも信じられないってのに。 Wheeler Huh, Alex, I can believe an awful lot. You ve just gotta trust me. Now tell me what happened. フン、どんなことでも信じてやるよ。騙されたと思って何があったか話してみろ。 →（選択肢4） （5） Alex He was drunk. He must have tripped on a tree root and impaled himself or something. That s the only way to explain it. 市長は酔っ払ってた。きっと木の根っこにつまずいて、倒れたときに木が突き刺さったとかそういうことなんだ。そうに決まってる。 Wheeler Now it sounds like you re lying to me AND yourself. Tell me what you REALLY saw. 俺には自分に嘘をついてるように思えるんだがな。話してみろよ。本当は何があったんだ。 （選択肢4） A monster killed him.（怪物に殺された）→（6） （6） Alex It was some kind of creature, but worse than the others. It came to life out of the goddamn tree! That s what killed him. And that s the truth, I swear. 怪物だ。他の奴より恐ろしい怪物だった。妙な木から出てきて、市長を殺したんだ。本当だ。嘘じゃない。 Wheeler So you ve seen the creatures too... お前も怪物を見たのか… We should get moving. I m not sure it s safe here anymore. Follow me. 移動した方がいい。ここも安全じゃない。ついて来い。 移動中 Wheeler Hold up, I gotta think...Listen, I think I know someone that can help us out. The doctor is tied up in all the same shit as the Mayor. 聞いてくれ、助けになりそうなヤツに心当たりがある。あの医者だ。奴は市長と全く同じ境遇に置かれてるんだ。 Alex Doc Fitch? フィッチ先生か？ Wheeler Yeah, they all know a helluva lot more than they re letting on, and I m sick of being in the dark. ああ、奴ら皆、白状した以上のことを沢山知っている。それに俺は、もうこの闇の中にいるのはうんざりだ。 Alex They? Who are you talking about? 奴ら？誰のことを言っているんだ？ Wheeler No time for that now Alex. Just trust me, we need to get to the Doctor before something happens to him too. 今はそれどころじゃない。俺を信じろ。フィッチの身に何か起きる前に行くぞ。 Your gear! It s in the Chief s Office. Run that way! お前の装備は署長のオフィスにある！急げ！ RADIO Alex! Wheeler! Come in. I m on my way to the Sheriffs station. Something s after me! アレックス！ウィーラー！答えて！保安官事務所へ行く途中、何かに追われて Alex Elle, head to the parking lot behind the station. We ll meet you there. エル、裏の駐車場へ向かえ。そこで会おう Wheeler Okay, clear a path through the lobby and break down the barricade. I ll cover you. Okay? よし、ロビーにいるのを片付けて道をつくろう。俺は援護する、いいな？ Alex Alright Elle救出 Alex Elle! I m right here. Come on! エルこっちだ！ Elle Thanks. Alex,where s Wheeler? ありがとう、ウィーラーはどこ？ Alex I don t think he made it. 無事か分からない Come on. We need to find Doctor Fitch. フィッチ先生を見つけないといけないんだ。行こう Elle We ll be safer underground. Come on! 地下の方が安全だわ。こっちよ！
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https://w.atwiki.jp/vocaloidenglishlyric/pages/265.html
【Tags G Miku Tohma Toma tS Tooma】 Original Music Title 骸骨楽団とリリア Skeleton Orchestra and Lilia (Gaikotsu Gakudan to Riria) Music Lyrics written, Voice edited by トーマ(Toma) Music arranged by トーマ(Toma) Singer 初音ミク (Hatsune Miku) Click here for the Japanese Lyrics English Lyrics (translated by animeyay)： The taciturn God abandoned the sound and waned, while the night sky, being a crybaby, was moved to tears. It s a song, unknown to anyone, sung only to this moonlit night, in a grey theater together with the Orion by the window. No matter how many times, I can hear this lonesome unskillful voice. The rusted instruments were an illusion in the depths of the ocean. Merely gathering those timbres I heard in my dream, I wove them together so that they would eventually bud. The song of interstellar traveling will not reach its destination. See, even though I kept singing, I was still crying alone in the music festival where I danced frantically. Are the sounds reaching your ears? Romeo, Romeo. I fell in an almost magical love with a sound, which I had finally met after years of separation, and I didn t even notice. With their words completely drained, the people of this boring country began to seek out the thing they had lost. The melted antique days completely clogged the mirrors in the ruins on Mars with the Cassiopeia in the sky in broad daylight. No matter how many times, I can hear the sound of a rain of the forlorn words, into which the sketched skeletons seem to be burying their lonely imagination. The distancing, sinking, and blurring sky, clueless about the situation, is taking me with it to that world where there is a heavy downpour. To that faraway country that has been moisturized and then bloomed, I let my thoughts fly, while my eyes are growing dull. Now I make a wish to the stars, Romeo, Romeo. Passing through the gate, and find my way out of the fog, even if everything s taken away from me, I will go meet you. I will rely on the whispering voice. The streets I m walking on and the winter in a glass bottle look like a movie scene from somewhere. On the narrow and long railroad tracks, they stain me into their colors. In the distant and quiet morning that loses its color as soon as it s touched, I found a fragment of sound. See, even though I kept singing, I was still crying alone in the music festival where I danced frantically. Are the sounds reaching your ears? Romeo, Romeo. I fell in an almost magical love with a sound, which I had finally met after years of separation, before I would fall into a slumber and become cold. When I closed my eyes and felt with my hand, I heard the beats in the depths of my chest. I m sending this endless melody to the nameless you. Romaji lyrics (transliterated by animeyay)： mukuchi na kamisama ga oto o sutete katamuita nakimushi yozora namidagunda tsukiyo ni kikaseru no dare mo shiranai uta haiiro gekijou madobe no Orion to nando datte kikoeru hitorikiri no tsutanai koe sabitsuita gakki ga unabara de gensou o kanadete ta yume no naka oboeta neirotachi o tada atsumete mebuku you ni tsumuida hoshimeguri no uta ga todokanai hora utatte tatte naita hitori ukande matta ongakusai kimi wa kikoeru? Romio Romio nannen tatte aeta oto ni mahou mitai na koi o shitari ki ga tsukanai you ni kotoba o nomihoshita taikutsu na kuni no hito ga nakushita mono o sagashite ta kagami o fusaide ta toketa antiiku na hibi kasei no haikyo mahiru no Kashiopea nando datte kikoeru wasurete ita oto no ame ni e ni kaita gaikotsu wa kodoku na souzou o umeru you de tooku natte oborete kasumu sora wa shiranai mama furisosogu sekai e tsurete itte nee urunde saita tooi kuni ni haseru omoi kusunda hitomi hoshi ni negai o Romio Romio mon o kugutte kiri o nukete ubaisattatte ai ni ikou sasayaki o tayori ni aruku machinami garasubin no fuyu dokoka no eiga no you ne hosoku nagai senro no ue de sa watashi ni iro o tsukete furete sugu hagarete shimau hakanaku shizuka na asa ni mitsuketa oto no kakera hora utatte tatte naita hitori ukande matta ongakusai kimi wa kikoeru? Romio Romio nannen tatte aeta oto ni mahou mitai na koi o shitari nemuru you ni sameru mae ni me o tojite te o atete okusoko no kodou o kiita togirenai senritsu o na mo naki kimi e to
https://w.atwiki.jp/vocaloidenglishlyric/pages/525.html
【Tags Kameria Mew tG S】 Original Music title サヨナラスイングバイ English music title Good-bye Swing-by Romaji music title Sayonara Suingu Bai Music Lyrics written, Voice edited by かめりあ(Kameria) Music arranged by かめりあ(Kameria) Singer(s) Mew Click here for the original Japanese Lyrics English Lyrics (translated by blacksaingrain)： I carry yesterday and reflect tomorrow on the fuselage The blue stratosphere I ve been looking up is just below me The Venus is shining far beyond With an ion engine I m accelerating without limit A long time ago, the first cosmic velocity became A velocity I exceeded at the far distant past and I can t go back I smell a cosmic ray here How s the weather there? Can you see the Orion? I wave my hand to you I shine, shine, and shine Like a shooting star in the night sky I m falling, falling and falling I m coming back from the space to the Earth I sparkle, sparkle and sparkle Pulled by the blue gravity I ll burn out, burn out and burn out I m melting in the air A pulsar wavers and a black hole is freezing I feel my heart ache by the lights that were brought If I go further, I can reach someday I rely on orbit maneuvering signals and go on Before long, the second cosmic velocity was Gone before I knew it and I can t go back to the moment There s even no sky or clouds here When I go back someday, What kinds of expression will you put on your face for me? I ll go back in a hurry The starry sky is chilled in indigo blue The Milky Way is always at my backside The moon s shadow dimly stops going Now it s time for the last swing-by, good-bye Stars whitely shine and make my eyes blinded Even if communication is lost someday, forever I won t forget, I can t forget... I shine, shine, and shine Like a shooting star in the night sky I m falling, falling and falling I m coming back from the space to the Earth I sparkle, sparkle and sparkle Pulled by the blue gravity I ll burn out, burn out and burn out I m melting in the air Romaji lyrics (transliterated by blacksaingrain)： kinou wo kakaete ashita wo kitai ni utsusu zutto miageteta aoi sou wa watashi no mashita zutto mukou ni kinsei ga kagayaiteru ion enjin de dokomademo kasokushiteiku dai ichi uchuu sokudo wa mukashi tou no mukashi toorisugita sokudo kaerenai no koko wa uchuu sen no nioi ga suru yo socchi wa donna tenki nano？ orionza wa mieru？ kimi ni te wo furu kagayaite kagayaite kagayaite nagareboshi no youni yozora wo ochiteiku ochiteiku ochiteiku uchuu kara chikyuu e kaeru no kirameite kirameite kirameite ao iro no juuryoku ni hikare moetsukiru moetsukiru moetsukiru taiki ni watashi ga toketeku yureru parusa- kogoeru burakkuho-ru todoku hikari ni tokimeki wo kanjiteru motto susumeba itsuka wa tadoritsukeru kidou shuusei no shingou wo tayori ni susumu no dai ni uchuu sokudo wa itsuka itsu no ma ni ka kieteita setsuna modorenai no koko wa sora mo kumo mo jimen mo nai yo itsuka kaeru sono toki donna kao shite kureru？ isoide, kaero. hoshizora wa ai iro ni kogoetete ama no gawa wa itsudatte haigo tsukikage ga oborogeni tachidomaru mou saigo no suingubai sayonara, kousei ga hakushoku ni kagayaite watashi no me wo kuramaseru itsuka koushinga kietatte itsumademo wasurenai wasurerarenai... kagayaite kagayaite kagayaite nagareboshi no youni yozora wo ochiteiku ochiteiku ochiteiku uchuu kara chikyuu e kaeru no kirameite kirameite kirameite ao iro no juuryoku ni hikare moetsukiru moetsukiru moetsukiru taiki ni watashi ga toketeku
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アーティスト MOON CHILD 作詞 佐々木収 作曲 佐々木収 編曲 MOON CHILD 時間 4 44 収録作品 フリスビー（M-1）POP AND DECADENCE（M-3）Treasures of MOON CHILD（M-4）COMPLETE BEST（DISC1 M-4） タイアップ TBS系「CDTV」1998年9月度ED 「フリスビー」はWham-O社の登録商標で、他社から出ている商品は「フライングディスク」と呼称される。 エレキシタールや「掃除機ラッパ」として使った民族楽器ケーンが取り入れられた実験的な曲。 ライブ音源 収録作品 COMPLETE BEST（DISC2 M-6） ライブ映像 収録作品 20121026（ササキオサム） 【読み ふりすびー】 【タグ 1998年 MOONCHILD MVあり POP_AND_DECADENCE ふ シングルA面 ライブ映像あり ライブ音源あり】
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